Jews, Muslims, Christians, believers, nonbelievers, residents, tourists, and so many others have ocked for millennia to the cultural richness of Jerusalem. It is one of the world's greatest crossroads, hosting the variety that is humanity. From her stunning viewpoint, Michal Safdie invites you to see what she sees every day.
Perched up on a hill in the Old City of Jerusalem, along the fragile bor- der between the Jewish and Muslim Quarters, is the home of Michal Ronnen Safdie. Facing east, it overlooks the Western Wall precinct, the Dome of the Rock, and the Al-Aqsa Mosque. To the north unfolds the Muslim Quarter with Mount Scopus in the skyline; to the west, the Church of the Holy Sepulcher and the Christian Quarter.
Directly under her window is a narrow alley, through which thousands of people pass every day. The alley is a conduit. It is a passage for those entering the Old City through Dung Gate on the south side-mostly Palestinians making their way to their workplaces, schools, markets. It is the route of Christians to the Holy Sepulcher and of Muslim pil- grims during Ramadan, and other holidays, on their way to the Haram al-Sharif (Temple Mount). It is also the path connecting Jews residing in the Jewish Quarter and in the western part of the city, to the Wailing Wall (Western Wall).
The view from the window o ers two contrasting perspectives. Across toward the Western Wall precinct: vast ceremonial spaces, and the sil- houette of the Old City quarters. Directly below, in the alley and terraces: a great variety of people seeking the sacred as well as the morning and evening cycles of life's routines.
The photographs capture personal moments alongside large-scale public events in the city of Jerusalem, where belief and ritual significantly shape day-to-day life.
"The true delight of Under My Window comes from the aesthetic serendipity of layers upon layers of feet and people and fences mimicking the architecture of the landscape, stacked tables and chairs standing before the layered stones of the Western Wall, and the repetitive vision of cobblestone and rooftops reproducing into the horizon, evoking the history of this space, and becoming the layers of the past and present. Lingering in the midst of this is the question of ownership, and Safdie’s work renews questions of who owns the in-betweens, the liminal passages between significant religious and cultural pinpoints. This book not only captures the streets and buildings, but the occupants of a contemporary Jerusalem, both changing and destined to change, honoring this history while creating it." —Musée
As seen in: Jewish Telegraph, Jewish Review of Books, PDN Photo of the Day
