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Sarah Baker is Professor in Cultural Sociology at Griffith University in Queensland, Australia. She is the author of Creative Labour: Media Work in Three Cultural Industries (2011), Teaching Youth Studies Through Popular Culture (2014), Community Custodians of Popular Music's Past: A DIY Approach to Heritage (2017) and the editor of Redefining Mainstream Popular Music (2013), Youth Cultures and Subcultures: Australian Perspectives (2015), Preserving Popular Music Heritage: Do-it-Yourself, Do-It-Together (2015), The Routledge Companion to Popular Music History and Heritage (2018) and Remembering Popular Music's Past: Memory-Heritage-History (2019). Lauren Istvandity is a lecturer in the School of Business and Creative Industries at the University of the Sunshine Coast, Australia. She is the author of The Lifetime Soundtrack: Music and Autobiographical Memory (2019) and co-author of Curating Pop: Popular Music in the Museum with Sarah Baker and Raphael Nowak (2019, Bloomsbury). She is the co-editor of two The Routledge Companion to Popular Music History and Heritage (2018) and Remembering Popular Music's Past: Memory-Heritage-History (2019). She is a past recipient of the John Oxley Library Fellowship, State Library of Queensland (2017). Raphaël Nowak is a Postdoctoral Research Fellow at the Griffith Centre for Social andCultural Research in Queensland, Australia. He is a cultural sociologist andhas expertise on music consumption, digital technologies, popular musicheritage practices, and systems of classifications in culture. He is the authorof Consuming Music in the Digital Age:Technologies, Roles, and Everyday Life (2015) and co-editor of Networked Music Cultures: ContemporaryApproaches, Emerging Issues (2016). |
