The Moving Form of Film: Historicizing the Medium through Other Media charts the ways in which crossing borders between film and other arts and media can provide an encompassing, inclusive, and non-teleological understanding of film history. This is a truly remarkable volume, not just on account of its list of distinguished contributors. Using intermediality as its method, this collection manages to establish this most precious of balance: a study of film form that never loses sight of the medium's historicity. Naguib and Solomon's book literally brims with useful theorizations and concepts.